Welcome to Cognitive Music & Funky Flavor Music. Below you will find our latest releases and information regarding artists, release dates, event dates, etc. Enjoy the tunes and thanks for stopping by.
15 September 2015 bigadmin
DJ D-Xtreme and Devine Noise are back with another collaborative release on Cognitive Music. When The Morning Cums, the 13th release for the label, is a driving, funky progressive breakbeat track that highlights both artists unique styles. The release features both the Original Mix and a new remix from Bass Ballers.
The Original Mix starts with chopped up vocal samples over a thick breakbeat. A sub-driven bassline complements the beat perfectly as we are introduced to the full vocal heading toward the first break, which brings with it some edgy, sliding electro elements. As we progress, the mood changes as a funky, old school piano riff lifts the track as the vocal weave their way in and out. The piano transforms into a synth stab as the full vocal takes over the track, building to another huge electro drop before winding down.
The Bass Ballers Remix takes the original theme and turns it on it’s head, transforming the track into a progressive quad breakbeat track. The drums have a bass vibe to them with the 808 snare and pitched kick driving the song, chopped vocals layered over help give the song its progressive feel. The break brings the full vocal in along with a beautiful synth line that quickly gives way to an edgier synth as the track drops with an amazing amount of energy. Expertly transitioning from sharper to gentler tones, the remix is constantly progressing while maintaining a funky, bass driven feel.
CM013 | DJ D-Xtreme & Devine Noise – When The Morning Cums “Out now on Beatport”
DJ D-Xtreme & Devine Noise – When The Morning Cums (Original Mix) “Out now on Beatport”
DJ D-Xtreme & Devine Noise – When The Morning Cums (Bass Ballers Remix) “Out now on Beatport”
2 September 2015 bigadmin
Florida based record label “Funky Flavor Music” is set to hit the dance music empire with their first release, featuring a progressive, atmospheric break with hard hitting bass lines and nature driven undertones titled “Give Me All” original by DJ D-Xtreme. The original mix is accompanied by four, dance inducing, boom inspired remixes.
Keeping with the progressive, intelligent tone, adding brightness and high hitting bass rolls resulting in nothing but the best from Seth Vogt as he does justice to the original while maintaining his own distinct sound, including an array of vocals and classic florida build ups.
Next up to bat, the Florida Flavored Breaks duo that has busted the scene apart, worldwide aka the Phat Kidz. Nasty bass drops with dark following highs back into the progressive quad sound you might hear at a Miami late night rave. This track isnt one for the weak hearted, this is serious breakbeat and is recieved as such.
Next to deliver, Molecule takes you on nothing short of a bass journey with what can be described as simply “intelligent trap”. Most amazing this remix is taking on a completely different sound, while at the same time executing the art of remixing in an almost perfect fashion. This remix is truly the future of bass, and breakbeat rhythms. Bringing up the bassfrom the depths of Miami, this is the down right dirty sound of 808 delivery.
Rogue Planet holds nothing back and goes hard for the cause, bringing you to the edge of the beat, and knocking you the FUNK out. Funky Flavor Music is no holds barred, coming out swinging, taking quality Breaks, and delivering them to the world!!!!
27 July 2015 bigadmin
With their first collaborative release on Cognitive Music, Bad Boyz Of Breakz, KJ of K5 and DJ Rob-E, come swinging hard with a licensed cover of the 80’s Freestyle classic Don’t Stop The Rock, delivering a fresh update to the track while maintaining the electro elements of the original.
The track starts out with a breakbeat that is very quickly met with the familiar melody and chopped up high pitched “Don’t Stop’ vocoded vocal snippets. A floor shaking 808 bassline comes in with bits of the recreated original vocoded vocal being introduced as the energy grows. By the time the verse takes over, a nasty snarling bass fills things out with the original melody as it builds to the first big break. With the drums stripped away, the vocal and a big riser continue to add intensity, building to a huge, driving complextro line. The track continues to smoothly work between the vocals and the complextro elements to its completion, weaving between both while leading listeners and breakers on an amazing journey.
Sure to appeal to the masses, this updated version of the classic is not to be missed!